The Pax series is an interesting beast. First created by, let’s say “controversial”, designer Phil Eklund the series’ games differ significantly on topic, mechanics, and many specifics but generally share a distinct perspective in how they represent history. I’ve never been completely in love with Pax games on the few occasions when I’ve tried them but I was still intrigued by Pax Viking despite some of my misgivings about the series. Pax Viking’s emphasis on the Viking trade networks, not just the raiding, and its focus on the eastward expansion of Viking influence through eastern Europe and down to the Mediterranean made it stand out amidst the many board games with Vikings as a theme.
River Kings by Cat Jarman
I have often felt like a fake archaeologist. I did my PhD on the development of the bow and the crossbow in the later Middle Ages and for much of my evidence I used surviving medieval weapons. I took measurements of five-hundred-year-old crossbows in a Swiss castle and examined an early 15th century crossbow in the basement of the Met in New York. This was, by any reasonable measure, an archaeological study. However, I’ve never been to a dig site or participated in any of the usual archaeologist activities most people picture when they hear the word. I kind of regret that I’ve never been hanging around when someone pulled something old and cool out of the ground and I am a little jealous of those who have. I really enjoy archaeology and I’m fascinated to learn what interesting nuggets of information have been dug out of the earth. That is roundabout way of saying that I really enjoyed how deep into the archaeological woods Cat Jarman’s River Kings goes in places and reading it reminded me a lot of my time as a PhD student – where I was surrounded by people doing Viking age archaeology in Ireland.
Cutting Room Floor: The Bagler War
The Norwegian Civil Wars were a period of near continuous unrest that lasted for over a century, from1130 until 1240, and saw over twenty kings, pretenders, and claimants battling for control of the kingdom. Amidst this turmoil the reign of Sverre Sigurdson, who claimed the Norwegian throne in 1177 but only ruled as Sverre I from 1184 until his death in 1202, contains an interesting anecdote in the history of the crossbow.
Sverre’s rule was one marked by near constant conflict. He had originated as a pretender to the throne before eventually achieving legitimacy through warfare. An account of his reign was provided by the Sverris Saga, a poetic account of his life probably written by Karl Jónsson, abbot of the Benedictine monastery of Munkaþverá in Northern Iceland. Jónsson died in 1213, meaning that the saga must have been written nearly contemporary to Sverre’s life. The saga says that Sverre’s initial group of followers consisted mainly of “vagrants, outcasts, and robbers who are primarily interested in plundering farmers.”